![]() However, Hot Girl Meg from a flow perspective sounds repetitive here. “Dance” again incorporates elements of the 305 and is calling out for a City Girls and The Baddest B*tch feature. Here the formula for Fever begins to manifest heavy and aggressive production paired with loud and intentional bars and homage to geographical soundscapes are what Fever is striving to be known for, and finally this methodology is realised. ![]() Paying homage to the Memphis-based underground talent DJ Squeeky -through their choice of sampling of “Looking 4 Da Chewin'” - the pair race across “Simon Says”, keeping the effort all the way southern. Of-course Megan The Stallion has the penmanship to meet DaBaby in the middle and together the duo give Lil Kim and Sisqo’s “How Many Licks?” a run for its money.Įlsewhere, Juicy J joins Megan at the club (figuratively of course) and the pair collide for a song filled with diverse drum pallets and commands. Taking things to a new level of intensity, the Ohio based rapper leaves no room for imagination when explaining his sexual intentions. The Houston artist still loves a bit of fun with the opposite sex, and on the first feature on the LP, DaBaby does not disappoint. “Ain’t no n*gga put me on // Hoe I earned my own respect.” Echoing the sass of Trina with the charm to match, the rapper more than earns her title as the head pimp by the end of the synth-heavy three minutes and twenty-four seconds.ĭespite putting men on blast, Fever’s only contributions come from male rappers. After being tempted by the prospect of getting sexually stimulated, the MC proclaims that there “ain’t no dick alive that could make me lose my mind,” as she centers her assertiveness yet again and has a message for all of the men in the industry. Raunchy Stallion appears to wink at us as “Pimpin” takes the wheel. The slightly underwhelming element of this track is introduced in its references to Wakanda -the Marvel owned fictional land -despite this brief moment of disappointment, Megan holds her own lyrically here. Step foot on Megan The Stallion’s turf and prepare to face the so-called Medusa MC and her gang of girls. The chord-driven production guides the way and evokes scenes of forbidden territory. “Hood Rat Sh*t” follows and The Houston Hottie has honed in on her rebellious energy this time, however, it’s directed at having fun, letting loose and grabbing some Hennessy and chicken wings. Instantly, somewhere around the minute mark, it’s evident that Tina Snow is in hiding, for now, the aggression of her alter-ego ignites a flame, and if we can’t handle the heat currently on the mic, it’s time to press pause. “N*gga, I don’t wanna talk // Meet me at the bank, show me what you really ’bout.” It’s very clear on “Realer” that this is not a drill: The Stallion knows exactly what she wants, and if we fail to deliver, it’s game over.Īfter taking some time to co-sign City Girls member JT’s release from prison, it’s back to business for Megan. ![]() As the bouncy backing builds to a point that only can be followed by a strong bass, Hot Girl Meg marks her territory. As Fever begins, we’re instantly taken on a path of anticipation.
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